Enjoying the sunny weather on Teignmouth seafront, Devon

Last Sunday was a beautiful, crisp day so we went for a walk along the seafront at Teignmouth in south Devon. Despite the chilly temperature, the sea was really blue, although you still wouldn't have got me in there!

It was high tide so we stopped to watch the waves crashing on the slipway. Every few minutes there was a big one which I tried to capture on camera - easier said than done!

I took a photo of these rusty poles because I thought they'd be interesting to draw, perhaps on brown paper. It's so much more interesting to sketch something with a bit of texture!

How to draw water continued...

Staying with the watery theme, I finished this pencil drawing of water that I wrote about in my last blog post: How to draw water. I used a 2B and B pencil for the shading and sharpened it up at the end with a slightly harder one.

I'm extremely pleased with the way it's turned out. Not sure I'll be doing another one any time soon though as for such a small drawing it took a very long time to complete!

I'll be back soon with some drawings inspired by an artist I found on Pinterest (inspiration Mecca!). If you'd like to see them, follow my blog :)

Also, a little plea to those who use Facebook! My art page is currently on 92 likes so it would be great if you could like and share to push me over the 100 mark! Thank you :D

Today I'm sharing this post on the following lovely blogs: Handmade Harbour, Blue Chair Diary Illustrations, Lamb Around, Cornerstone Confessions and Manon Popje's Illustrations.

How to draw water

How do you draw water? It's a question which has puzzled me for a while. Water has always been the one art subject which has intrigued and defeated me.

Unlike a still life or a portrait of a person, water is forever moving and changing. The surface is broken as it's caught by the wind, the light plays on the ripples in different ways. So how to draw it?

Examining the Reflections

Let's take this water ripples photo by Roy Pieket.

Have a good look at the shapes and patterns created by the light on the water. It may look like the photograph contains just two tones, light and dark, but it is the mid-tones which are important in producing a realistic drawing.

However, translating these patterns and tones onto paper is easier said than done.

Look at these two paintings I did in the summer, for example. I'm not happy with the water. It looks flat and static, mainly because I was too scared to 'spoil' the picture by trying to paint some life into it!

Detailed Pencil Study

I've decided that before I tackle water again as part of a complete scene, I need to do a few detailed studies.

After trawling Flickr for a water photograph I found this one. It seems a good idea to start with a black and white drawing so as not to complicate things with colour. Don't want to be getting ahead of myself!

Black Blood - Nydia Lilian

I am determined that the drawing is going to be as accurate as I can possibly make it, inspired by the hyperrealist artists from my post last week. By overlaying a grid on the photo I can concentrate on each little square individually.

I am going against my own advice with this one, which was to 'think big' when attempting hyperrealism. My excuse is that I'm sure I would get bored of drawing little patches of light and shade if I tried it on a big scale. So it's small. Very small.

This is what I've done so far. Drawing square by square is quite addictive. I find myself thinking "I'll stop after this square", then getting carried away and doing another three!

Sam's not convinced about it at the moment. He reckons it looks like 'nothing'. Always the critic! I've assured him that it's going to look amazing when it's done.

Nothing like a bit of a challenge to motivate me to finish!

PS. Sorry about the grainy photos, blame the lack of sunlight :(

I'm sharing this post over at Manon Popje's Illustrations